1 00:00:00,701 --> 00:00:02,133 PREVIOUSLY ON... 2 00:00:02,133 --> 00:00:04,405 A MOTHER PROTECTED HER SON. 3 00:00:04,405 --> 00:00:06,677 HERE IN AMERICA, WE ACTUALLY GET DIVORCED 4 00:00:06,677 --> 00:00:09,180 BEFORE WE GET MARRIED AGAIN. I WILL EXPLAIN IT ALL AWAY. 5 00:00:10,511 --> 00:00:14,115 YOUR FATHER TOLD ME YOU CALLED OFF THE WEDDING. 6 00:00:14,115 --> 00:00:17,288 EVIL CAME TO WISTERIA LANE. (gasps and chokes) 7 00:00:17,288 --> 00:00:20,351 SUSAN, HOW IS SHE? WE DON'T KNOW YET. NOBODY'S TALKING TO US. 8 00:00:20,351 --> 00:00:22,753 IT STRUCK AGAIN... (gasps and chokes) 9 00:00:22,753 --> 00:00:25,096 I CAN'T BELIEVE SHE'S DEAD. I DIDN'T REALLY KNOW HER, 10 00:00:25,096 --> 00:00:28,229 BUT I GUESS WE'RE SORT OF CONNECTED NOW. YOU WOULD'VE LIKED HER. 11 00:00:28,229 --> 00:00:31,732 AND FEAR SET IN. WHOEVER ATTACKED JULIE IS STILL OUT THERE. 12 00:00:31,732 --> 00:00:35,766 THERE IS OBVIOUSLY A MADMAN ON THE LOOSE. HEY! 13 00:00:35,766 --> 00:00:38,069 THE STAGE WAS SET... 14 00:00:38,069 --> 00:00:40,741 I'M A LITTLE OUT OF YOUR LEAGUE, DON'T YOU THINK? 15 00:00:40,741 --> 00:00:42,673 FOR THE KILLER... (tires squeal) 16 00:00:42,673 --> 00:00:44,515 WHAT ARE YOU DOING? 17 00:00:44,515 --> 00:00:47,578 TO STRIKE AGAIN. (Irina screams) 18 00:00:52,323 --> 00:00:56,287 (Mary Alice) THERE IS A HOUSE IN THE TOWN OF FAIRVIEW. 19 00:00:56,287 --> 00:00:59,760 INSIDE THIS HOUSE LIVES A MONSTER-- 20 00:00:59,760 --> 00:01:04,135 THE KIND WHO KILLS YOUNG WOMEN. 21 00:01:04,135 --> 00:01:09,200 YOU MAY ASK HOW SUCH A MONSTER CAME TO BE, 22 00:01:09,200 --> 00:01:13,544 AND THAT'S A VERY GOOD QUESTION, INDEED. 23 00:01:13,544 --> 00:01:17,208 I'M OUT OF SCOTCH. 24 00:01:17,208 --> 00:01:19,550 I'LL BUY YOU SOME MORE WHILE I'M OUT. 25 00:01:19,550 --> 00:01:22,553 YOU GOT ANY IN YOUR ROOM? 26 00:01:22,553 --> 00:01:25,156 NO. AND STAY OUT OF THERE. 27 00:01:25,156 --> 00:01:27,488 I KNOW YOU'VE BEEN STEALING MY BOOZE. 28 00:01:27,488 --> 00:01:30,491 MOM, STOP BEING SO PARANOID. I DON'T EVEN DRINK. 29 00:01:30,491 --> 00:01:33,124 (sets bottle down) SURE YOU DON'T. 30 00:01:33,124 --> 00:01:35,696 I GOTTA HELP MRS. SCAVO FIX HER CAR. 31 00:01:35,696 --> 00:01:39,270 YOU CAN WAIT A LITTLE WHILE, RIGHT? 32 00:01:43,734 --> 00:01:47,107 (dog barking in distance) 33 00:01:47,107 --> 00:01:50,211 HIS NAME WAS EDDIE. 34 00:01:51,782 --> 00:01:55,386 EVERYONE THOUGHT HE WAS HARMLESS... 35 00:01:55,386 --> 00:01:56,617 (sighs) 36 00:01:57,888 --> 00:02:03,454 UNTIL THE DAY HIS MOTHER WENT INTO HIS ROOM. 37 00:02:03,454 --> 00:02:08,699 SHE WAS JUST LOOKING FOR A BOTTLE OF SCOTCH... 38 00:02:12,132 --> 00:02:16,467 BUT FOUND THE TRUTH INSTEAD. 39 00:02:20,140 --> 00:02:23,414 SOON EVERYONE IN TOWN WOULD BE ASKING, 40 00:02:23,414 --> 00:02:26,747 "HOW COULD SUCH A MONSTER COME TO BE?" 41 00:02:29,380 --> 00:02:33,554 SADLY, THE ANSWER... 42 00:02:33,554 --> 00:02:47,398 WOULD SATISFY NO ONE. 43 00:02:47,398 --> 00:02:49,900 I MET EDDIE ON A MONDAY. 44 00:02:51,872 --> 00:02:55,876 HE HAD JUST TURNED 4. 45 00:02:55,876 --> 00:02:58,509 (panting) 46 00:02:58,509 --> 00:03:01,212 IF YOU'RE SMART, YOU'LL TAKE UP JOGGING NOW. 47 00:03:01,212 --> 00:03:03,784 DON'T WAIT TILL YOU'RE MY AGE. IT'S TOO LATE. 48 00:03:03,784 --> 00:03:05,916 (woman) I CAN'T DO ANYTHING! (man) AT THIS POINT, I'D SETTLE FOR ANYTHING. 49 00:03:05,916 --> 00:03:09,260 DO THE DISHES. WIPE DOWN THE COUNTER. YOU'VE GIVEN UP! 50 00:03:09,260 --> 00:03:12,363 (woman) I'M DOING THE BEST I CAN. SO WHAT'S GOING ON IN THERE? 51 00:03:12,363 --> 00:03:15,726 (door opens) (man) YOU KNOW WHAT? I DON'T NEED THIS CRAP. I AM DONE! 52 00:03:15,726 --> 00:03:19,630 BABY, I SAID I WAS SORRY! IT'S TOO LATE, BARBARA. I CAN'T TAKE IT ANYMORE. 53 00:03:19,630 --> 00:03:22,903 BUT YOU CAN'T JUST WALK OUT. WE HAVE A KID! NO, YOU HAVE A KID. I NEVER WANTED HIM. 54 00:03:22,903 --> 00:03:26,607 I NEVER WANTED ANY OF THIS! EXCUSE ME! 55 00:03:26,607 --> 00:03:28,939 IS THIS YOUR CHILD? 56 00:03:28,939 --> 00:03:31,882 WHAT'S IT TO YOU? WELL, I'M SURE YOU DON'T WANT 57 00:03:31,882 --> 00:03:34,945 TO BE TALKING LIKE THIS IN FRONT OF HIM. 58 00:03:38,949 --> 00:03:40,451 I WAS JUST LEAVING. 59 00:03:40,451 --> 00:03:42,222 HANK, DON'T DO THIS! 60 00:03:42,222 --> 00:03:43,954 DON'T LEAVE ME HERE. 61 00:03:43,954 --> 00:03:46,797 I DON'T WANT TO BE ALONE. (car door shuts, engine starts) 62 00:03:46,797 --> 00:03:48,259 (tires peal) 63 00:03:48,259 --> 00:03:50,531 (crying) 64 00:03:58,509 --> 00:04:00,010 EDDIE, COME HERE. 65 00:04:00,010 --> 00:04:03,374 (sniffles) COME HERE. I HAVE TO GET READY FOR WORK. 66 00:04:04,475 --> 00:04:07,548 (doorbell rings) 67 00:04:09,450 --> 00:04:11,822 OH, IT'S YOU. 68 00:04:11,822 --> 00:04:12,953 HI. 69 00:04:12,953 --> 00:04:14,955 I JUST WANTED TO CHECK IN, 70 00:04:14,955 --> 00:04:16,957 SEE HOW YOU GUYS ARE DOING. 71 00:04:16,957 --> 00:04:18,659 (clears throat) 72 00:04:18,659 --> 00:04:20,931 ALSO, I-I MADE YOU A LITTLE SOMETHING. 73 00:04:20,931 --> 00:04:22,633 YOU'RE KIDDING. 74 00:04:22,633 --> 00:04:25,866 WELL, IT'S NOTHING SPECIAL, JUST MACARONI AND CHEESE. 75 00:04:25,866 --> 00:04:27,698 (lid clanks) 76 00:04:27,698 --> 00:04:30,971 COME ON. LET ME HEAT THIS UP FOR YOU. 77 00:04:32,903 --> 00:04:34,405 I DON'T KNOW. 78 00:04:34,405 --> 00:04:36,407 AND THEN WE CAN TALK. 79 00:04:36,407 --> 00:04:38,909 AND IF YOU WANT TO COMPLAIN ABOUT YOUR HUSBAND, 80 00:04:38,909 --> 00:04:41,482 I PROMISE, I WON'T DEFEND HIM. 81 00:04:41,482 --> 00:04:44,415 DON'T JUST STAND THERE, THEN. (chuckles) 82 00:04:44,415 --> 00:04:45,956 COME ON IN. 83 00:04:47,758 --> 00:04:51,392 (TV playing indistinctly) 84 00:04:51,392 --> 00:04:53,524 HE'S A HANDSOME LITTLE BOY. 85 00:04:53,524 --> 00:04:56,527 LOOKS JUST LIKE HIS FATHER... MM. 86 00:04:56,527 --> 00:04:57,898 WHICH IS A SHAME. 87 00:05:00,331 --> 00:05:02,032 MAYBE HANK WILL RECONSIDER. 88 00:05:02,032 --> 00:05:05,576 NO. HE'S SERIOUS THIS TIME. 89 00:05:05,576 --> 00:05:08,078 I'M ALL ALONE WITH A 4-YEAR-OLD TO RAISE. 90 00:05:08,078 --> 00:05:10,611 ISN'T THERE ANYBODY WHO CAN HELP YOU? 91 00:05:10,611 --> 00:05:12,082 FAMILY, YOUR MOTHER? 92 00:05:12,082 --> 00:05:13,884 OH, MY MOTHER. (chuckles) 93 00:05:13,884 --> 00:05:15,386 GOD FORBID. 94 00:05:15,386 --> 00:05:16,987 WHAT ABOUT FRIENDS? 95 00:05:16,987 --> 00:05:19,490 YOU KNOW, I HAVE A GREAT GROUP OF FRIENDS 96 00:05:19,490 --> 00:05:20,991 OVER ON WISTERIA LANE. 97 00:05:20,991 --> 00:05:23,954 WE'VE HELPED EACH OTHER GET THROUGH ALL SORTS OF PROBLEMS. 98 00:05:23,954 --> 00:05:25,956 YEAH, I'VE NEVER REALLY BEEN 99 00:05:25,956 --> 00:05:27,958 THE TYPE OF WOMAN TO HAVE GIRLFRIENDS. 100 00:05:27,958 --> 00:05:31,101 AND NOW I'M 35 YEARS OLD WITH A KID. 101 00:05:31,101 --> 00:05:33,333 I'M GUESSING I'M NOT REALLY GOING TO BE 102 00:05:33,333 --> 00:05:35,335 HAVING ANY BOYFRIENDS EITHER. (chuckles) 103 00:05:35,335 --> 00:05:36,837 OH, DON'T BE RIDICULOUS. 104 00:05:36,837 --> 00:05:39,370 WOMEN IN YOUR SITUATION FIND LOVE. 105 00:05:39,370 --> 00:05:41,972 YOU JUST HAVE TO LOOK FOR IT. 106 00:05:41,972 --> 00:05:44,815 I GUESS. WELL, I'VE GOTTA GO. 107 00:05:44,815 --> 00:05:46,877 (keys jangle) 108 00:05:46,877 --> 00:05:49,950 UM, IF YOU LIKE, I CAN STOP BY NEXT WEEK. 109 00:05:49,950 --> 00:05:52,953 UH, NO, YOU DON'T HAVE TO DO THAT. WE'LL BE FINE. 110 00:05:52,953 --> 00:05:54,955 UH, EDDIE, SAY GOOD-BYE TO MARY ALICE. 111 00:05:54,955 --> 00:05:56,927 GOOD-BYE. 112 00:05:56,927 --> 00:05:58,088 YOU TAKE CARE, EDDIE. 113 00:05:58,088 --> 00:05:59,790 OH, SO CUTE. 114 00:05:59,790 --> 00:06:00,991 (chuckles) 115 00:06:00,991 --> 00:06:04,565 HE'S GONNA BE A HEARTBREAKER ONE DAY. 116 00:06:04,565 --> 00:06:08,499 JUST LIKE HIS FATHER. 117 00:06:10,571 --> 00:06:12,473 (crickets chirping) 118 00:06:12,473 --> 00:06:14,975 (doorbell rings) 119 00:06:20,881 --> 00:06:22,683 OH, HI, EDDIE. 120 00:06:22,683 --> 00:06:27,087 REMEMBER ME? I-I BROUGHT YOU A LITTLE SOMETHING. 121 00:06:27,087 --> 00:06:30,491 I'M NOT SUPPOSED TO OPEN THE DOOR. 122 00:06:30,491 --> 00:06:33,494 WELL, TELL YOUR MOM I'M HERE, AND SHE CAN OPEN IT. 123 00:06:33,494 --> 00:06:35,426 SHE'S NOT HERE. 124 00:06:35,426 --> 00:06:37,998 OH, WELL, TELL YOUR BABYSITTER THEN. 125 00:06:40,170 --> 00:06:43,704 Y-YOU DO HAVE A SITTER, DON'T YOU? 126 00:06:45,035 --> 00:06:50,140 EDDIE, WHERE EXACTLY IS YOUR MOTHER? 127 00:06:50,140 --> 00:06:53,914 (Sheryl Crow) ♪ ALL I WANNA DO IS HAVE SOME FUN ♪ 128 00:06:53,914 --> 00:06:55,185 (laughs) 129 00:06:55,185 --> 00:06:58,689 ♪ I GOT A FEELING I'M NOT THE ONLY ONE ♪ 130 00:06:58,689 --> 00:07:01,091 OH, MY GOSH! WHAT ARE YOU DOING HERE? 131 00:07:01,091 --> 00:07:05,425 LOOK, IT'S MY FRIEND, MARY ALICE. 132 00:07:05,425 --> 00:07:07,057 WELL, NICE TO MEET YOU, MARY. 133 00:07:07,057 --> 00:07:09,900 THE NAME'S RON. CAN I BUY YOU A DRINK? 134 00:07:09,900 --> 00:07:12,062 THANKS, BUT I'M NOT GONNA BE HERE THAT LONG. 135 00:07:12,062 --> 00:07:14,835 GET UP. YOU'RE LEAVING. WHOA! (laughs) 136 00:07:14,835 --> 00:07:17,608 SHE CAN'T LEAVE YET. NO, THIS PARTY'S JUST GETTING STARTED. 137 00:07:17,608 --> 00:07:20,070 (laughs) DID YOU SAY YOUR NAME WAS RON? 138 00:07:20,070 --> 00:07:24,074 YEAH. SHUT UP, RON. I HAVE EDDIE IN MY CAR. 139 00:07:24,074 --> 00:07:26,577 EDDIE? HAS SOMETHING HAPPENED? HE'S NOT HURT, IS HE? 140 00:07:26,577 --> 00:07:30,150 NO, HE'S FINE, NO THANKS TO YOU. WHO'S EDDIE? 141 00:07:30,150 --> 00:07:33,153 HER 4-YEAR-OLD CHILD WHO SHE LEFT AT HER HOME, UNATTENDED. YOU GOT A KID? 142 00:07:33,153 --> 00:07:36,126 YOU KNOW, YOU MIGHT WANT TO LEAD WITH THAT NEXT TIME, 143 00:07:36,126 --> 00:07:38,088 BEFORE I SPRING FOR THE SCREWDRIVERS. 144 00:07:38,088 --> 00:07:39,960 OH, BABY. 145 00:07:39,960 --> 00:07:43,063 DON'T, UH, DON'T YOU WANT TO GET MY PHONE NUMBER? 146 00:07:43,063 --> 00:07:46,136 NOW LOOK AT WHAT YOU'VE DONE. 147 00:07:46,136 --> 00:07:48,138 I AM THIS CLOSE TO CALLING SOCIAL SERVICES. 148 00:07:48,138 --> 00:07:50,641 YOU MIGHT WANNA CHANGE YOUR TONE. LET'S GO. (keys jangle) 149 00:07:50,641 --> 00:07:54,575 (sets glass down) YOU'VE GOT A LITTLE BOY TO LOOK AFTER. 150 00:07:56,907 --> 00:07:59,009 I KNOW I SHOULD HAVE STAYED HOME. 151 00:07:59,009 --> 00:08:01,512 BUT I WAS ALREADY DRESSED WHEN THE SITTER CANCELED, 152 00:08:01,512 --> 00:08:04,555 AND I REALLY JUST NEEDED A COUPLE OF HOURS TO MYSELF. 153 00:08:04,555 --> 00:08:08,018 HE'S 4 YEARS OLD, BARBARA. WHAT IF HE HAD GOTTEN SICK? 154 00:08:08,018 --> 00:08:11,592 WHAT IF HE HAD HURT HIMSELF? I KNOW. I KNOW. IT WAS REALLY STUPID. 155 00:08:11,592 --> 00:08:13,594 YOU'VE GOT TO PROMISE ME 156 00:08:13,594 --> 00:08:15,926 YOU WILL NEVER DO SOMETHING LIKE THIS AGAIN. 157 00:08:15,926 --> 00:08:18,098 NEVER AGAIN. I SWEAR. 158 00:08:19,169 --> 00:08:22,072 IT'S JUST... 159 00:08:22,072 --> 00:08:24,535 WHAT? 160 00:08:26,737 --> 00:08:29,109 I REALLY NEED A MAN. 161 00:08:31,982 --> 00:08:33,984 (inhales deeply) OH, MY HEAVENS. 162 00:08:33,984 --> 00:08:36,046 I SHOULD HAVE BEEN HOME HOURS AGO. 163 00:08:36,046 --> 00:08:38,048 DON'T WORRY ABOUT US. WE ARE GOOD NOW. 164 00:08:40,050 --> 00:08:43,023 (keys jangle) 165 00:08:43,023 --> 00:08:46,727 I WANT YOU TO BE HAPPY, BARBARA. I DO. 166 00:08:46,727 --> 00:08:48,929 IT'S JUST... 167 00:08:48,929 --> 00:08:50,260 BEING A MOTHER MEANS 168 00:08:50,260 --> 00:08:53,003 ALWAYS PUTTING HIS NEEDS AHEAD OF YOURS. 169 00:08:54,905 --> 00:08:56,236 YOU'RE RIGHT. 170 00:08:56,236 --> 00:08:59,610 THAT'S EXACTLY WHAT IT MEANS. (chuckles) 171 00:09:04,575 --> 00:09:06,116 BABY... (door opens) 172 00:09:06,116 --> 00:09:08,318 (door closes) COME HERE. 173 00:09:10,150 --> 00:09:12,222 OH, EDDIE. 174 00:09:14,084 --> 00:09:18,689 IT'S NOT YOUR FAULT YOU RUINED MY LIFE. 175 00:09:28,869 --> 00:09:31,672 GABRIELLE MET EDDIE ON A TUESDAY, 176 00:09:31,672 --> 00:09:34,274 THE DAY SHE MOVED INTO THE NEIGHBORHOOD. 177 00:09:34,274 --> 00:09:36,977 CARLOS, I'M BORED. 178 00:09:36,977 --> 00:09:38,979 NO, I CAN'T GO GET MY NAILS DONE, 179 00:09:38,979 --> 00:09:40,981 BECAUSE I'M WAITING FOR THE FREAKING MOVERS! 180 00:09:40,981 --> 00:09:43,583 BESIDES, I DOUBT THIS TOWN EVEN HAS A SPA. 181 00:09:43,583 --> 00:09:45,585 IT DOES, HOWEVER, HAVE ANNOYING PEOPLE 182 00:09:45,585 --> 00:09:47,918 WHO COME TO YOUR HOUSE WITH WELCOME BASKETS 183 00:09:47,918 --> 00:09:51,121 AND SAY THINGS LIKE, "HOT ENOUGH FOR YOU?" (scoffs) 184 00:09:51,121 --> 00:09:54,124 NO, NO, NO, NO! YOU ARE NOT GOING INTO ANOTHER MEETING! 185 00:09:54,124 --> 00:09:57,127 YOU KNOW, JUST BECAUSE I MOVED HERE FOR YOUR JOB, 186 00:09:57,127 --> 00:09:58,829 DOESN'T MEAN YOU... 187 00:09:58,829 --> 00:10:01,832 OH, YEAH. DAMN RIGHT WE'RE GONNA TALK ABOUT THIS TONIGHT, 188 00:10:01,832 --> 00:10:04,134 AND IT WILL BE HOT ENOUGH FOR YOU. (beep) 189 00:10:04,134 --> 00:10:07,938 (sighs and groans) 190 00:10:07,938 --> 00:10:11,241 LOOKS LIKE IT'S JUST YOU AND ME, CHANEL. 191 00:10:15,846 --> 00:10:18,849 (clattering in distance) 192 00:10:28,398 --> 00:10:31,231 OH! GOD. WHO THE HELL ARE YOU? 193 00:10:31,231 --> 00:10:34,134 EDDIE. HOW DID YOU GET IN HERE? 194 00:10:34,134 --> 00:10:36,667 THROUGH THE WINDOW. HOW DID YOU GET IN? 195 00:10:36,667 --> 00:10:38,809 WITH MY KEY. I OWN THIS PLACE. 196 00:10:38,809 --> 00:10:41,772 WELL, I'VE BEEN PLAYING HERE SINCE THE OTHER PEOPLE MOVED. 197 00:10:41,772 --> 00:10:43,774 CAN I STILL DO THAT? 198 00:10:43,774 --> 00:10:47,417 NO! GET OUT. GO. GO HOME. SHOO! SHOO, SHOO, SHOO! 199 00:10:49,419 --> 00:10:52,082 DID YOU KNOW YOU'RE REALLY BEAUTIFUL? 200 00:11:00,160 --> 00:11:02,432 OKAY, MAYBE I WAS A LITTLE RUDE EARLIER. 201 00:11:02,432 --> 00:11:05,435 WHAT'S YOUR STORY? WHAT DO YOU DO? I'M A KID. 202 00:11:05,435 --> 00:11:09,199 OH. RIGHT. SO WHY AREN'T YOU IN SCHOOL? IT'S SUMMER. 203 00:11:09,199 --> 00:11:12,943 OH. RIGHT. WELL, I DON'T REALLY DO THE KID THING. 204 00:11:12,943 --> 00:11:14,945 SO WHERE DO YOU LIVE? 205 00:11:14,945 --> 00:11:17,147 A COUPLE OF STREETS OVER. 206 00:11:17,147 --> 00:11:18,879 THE HOUSE WITH THE WEEDS. 207 00:11:18,879 --> 00:11:21,051 (truck horn honks in distance) 208 00:11:21,051 --> 00:11:23,053 WELL, THAT'S THE MOVING VAN 209 00:11:23,053 --> 00:11:26,056 THAT HAS A LOT OF BOXES I HAVE TO UNPACK. 210 00:11:26,056 --> 00:11:28,688 YOU BETTER HIT THE ROAD. 211 00:11:28,688 --> 00:11:31,892 OR I COULD STAY HERE AND HELP YOU UNPACK. 212 00:11:35,896 --> 00:11:37,898 FOLLOW ME. 213 00:11:39,229 --> 00:11:41,231 MMM. 214 00:11:41,231 --> 00:11:43,874 MM! WHOA, WHOA, WHOA, WHOA. YOU MISSED A SPOT. 215 00:11:43,874 --> 00:11:45,175 OH, SORRY. 216 00:11:45,175 --> 00:11:47,978 DON'T APOLOGIZE. YOU DO GOOD WORK. 217 00:11:47,978 --> 00:11:50,811 MAYBE NEXT TIME YOU'LL BE READY TO DO A FRENCH TIP. 218 00:11:50,811 --> 00:11:53,744 (doorbell rings) SHOULD I GET THAT? 219 00:11:53,744 --> 00:11:55,746 (lowers voice) NO. SHH. KEEP YOUR VOICE DOWN. 220 00:11:55,746 --> 00:11:57,748 IT MIGHT BE ONE OF THOSE STEPFORD WIVES 221 00:11:57,748 --> 00:11:59,750 WITH ANOTHER "WELCOME TO THE NEIGHBORHOOD" CAKE. 222 00:11:59,750 --> 00:12:03,193 I MEAN, REALLY, DOES IT LOOK LIKE I EAT CAKE? SOME OF THE NEIGHBORS ARE NICE. 223 00:12:03,193 --> 00:12:06,857 THAT LADY WITH THE RED HAIR MAKES HER OWN HALLOWEEN CANDY. 224 00:12:06,857 --> 00:12:09,860 YOU MEAN THE ONE WHOSE PARENTS NAMED HER AFTER CHEESE? 225 00:12:09,860 --> 00:12:12,963 NO, THANK YOU. I LIKE MY ROBOTS A LITTLE MORE LIFELIKE. 226 00:12:12,963 --> 00:12:14,965 (sighs) THOUGH SHE'S NOT AS BAD 227 00:12:14,965 --> 00:12:17,968 AS THAT BLONDE CHICK WHO'S ALWAYS YELLING AT HER KIDS. 228 00:12:17,968 --> 00:12:20,971 THERE ARE PEOPLE ON FIRE WHO ARE NOT AS LOUD AS SHE IS. 229 00:12:20,971 --> 00:12:23,173 AND THEN I THOUGHT, MAYBE FOR A SECOND, 230 00:12:23,173 --> 00:12:26,076 THAT SUSAN MAYER LADY AND I COULD FRIENDS. 231 00:12:26,076 --> 00:12:29,349 AND THEN SHE STARTED TALKING. 232 00:12:29,349 --> 00:12:32,182 OKAY, GOOD. I THINK THEY'RE GONE. 233 00:12:32,182 --> 00:12:35,155 CAN WE WATCH OUR SHOWS NOW? 234 00:12:35,155 --> 00:12:37,157 (normal voice) JUST AS SOON AS YOU FINISH 235 00:12:37,157 --> 00:12:40,831 UNPACKING THOSE BOXES IN THE KITCHEN. I DID IT THIS MORNING. 236 00:12:40,831 --> 00:12:43,934 OH, MY GOD. IF YOU CAN SEW, I AM LOCKING YOU IN MY BASEMENT, 237 00:12:43,934 --> 00:12:45,996 AND YOU ARE STAYING HERE FOREVER. 238 00:12:45,996 --> 00:12:47,537 COOL! 239 00:12:47,537 --> 00:12:49,239 EDDIE, I WAS KIDDING. 240 00:12:49,239 --> 00:12:51,501 YOU'VE BEEN COMING HERE EVERY DAY FOR A WEEK. 241 00:12:51,501 --> 00:12:54,404 DOESN'T YOUR MOTHER MIND? NO. 242 00:12:54,404 --> 00:12:56,947 ARE YOU SURE? MAYBE I SHOULD CALL HER. 243 00:12:56,947 --> 00:12:58,949 NO. UH, SHE HAS THIS NEW BOYFRIEND, 244 00:12:58,949 --> 00:13:01,852 AND THEY LIKE THEIR ALONE TIME. 245 00:13:01,852 --> 00:13:03,183 OH. 246 00:13:03,183 --> 00:13:06,386 OKAY. WELL, THEN WHY DON'T YOU STAY FOR DINNER? I'LL COOK. 247 00:13:06,386 --> 00:13:09,890 GREAT! ALTHOUGH, YOU ARE THE ONE WHO UNPACKED THE POTS AND PANS, 248 00:13:09,890 --> 00:13:12,222 SO I'D HATE TO MESS UP YOUR SYSTEM. 249 00:13:12,222 --> 00:13:14,895 I'LL COOK. I CAN HEAT UP SOUP. 250 00:13:14,895 --> 00:13:17,127 MORE THAN I CAN DO. 251 00:13:20,130 --> 00:13:22,472 OKAY, YAO LIN, HOW SICK ARE YOU, REALLY? 252 00:13:22,472 --> 00:13:25,475 IF YOU CAN DIAL A PHONE, YOU CAN COME IN 253 00:13:25,475 --> 00:13:28,478 AND DO THREE LOADS OF LAUNDRY AND WASH SOME DISHES. 254 00:13:28,478 --> 00:13:31,181 (raises voice) W--YAO LIN, YOU KNOW I CAN'T UNDERSTAND 255 00:13:31,181 --> 00:13:34,915 WHEN YOU SPEAK IN YOUR NATIVE GIBBERISH! 256 00:13:34,915 --> 00:13:36,546 (normal voice) HELLO? 257 00:13:36,546 --> 00:13:37,918 HELLO? 258 00:13:39,289 --> 00:13:41,121 SURPRISE, BABE. 259 00:13:41,121 --> 00:13:43,954 HONEY! WHAT ARE YOU DOING HOME? 260 00:13:43,954 --> 00:13:46,256 WELL, I WAS AT WORK AND I STARTED THINKING ABOUT 261 00:13:46,256 --> 00:13:48,028 MY LONELY... 262 00:13:48,028 --> 00:13:49,159 BEAUTIFUL WIFE. (kisses) 263 00:13:49,159 --> 00:13:50,901 AW! 264 00:13:50,901 --> 00:13:53,063 AND THAT BIG BEAUTIFUL BATHTUB UPSTAIRS 265 00:13:53,063 --> 00:13:56,136 WE HAVEN'T CHRISTENED YET. (gasps) YOU PIG. 266 00:13:56,136 --> 00:13:59,609 SO YOU'RE SAYING YOU DON'T WANT TO TAKE A BATH WITH ME? 267 00:13:59,609 --> 00:14:02,242 WELL, I GUESS THE PANS CAN WAIT 268 00:14:02,242 --> 00:14:05,845 UNTIL YAO LIN RECOVERS FROM HER DOUBLE PNEUMONIA. 269 00:14:08,148 --> 00:14:10,350 (giggles) ALL RIGHT. 270 00:14:10,350 --> 00:14:12,222 WE'VE DONE THE TUB. 271 00:14:12,222 --> 00:14:15,585 MAYBE WE SHOULD CHRISTEN THE GUEST ROOM NEXT. 272 00:14:15,585 --> 00:14:18,858 MM, THAT SOUNDS GREAT, BUT I NEED TO GET GOING. WAIT A MINUTE. 273 00:14:18,858 --> 00:14:21,131 YOU'RE GOING BACK TO WORK? THIS IS A NOONER? 274 00:14:21,131 --> 00:14:23,133 I CAN'T TAKE THE WHOLE DAY OFF. 275 00:14:23,133 --> 00:14:26,997 I ALREADY CANCELED TWO MEETINGS AND A LUNCH FOR THIS. SO HOW LONG DO WE HAVE? 276 00:14:26,997 --> 00:14:28,298 FIVE MORE MINUTES. 277 00:14:28,298 --> 00:14:30,971 WELL, DON'T JUST SIT THERE. FONDLE SOMETHING. 278 00:14:30,971 --> 00:14:33,143 (chuckles) 279 00:14:33,143 --> 00:14:36,006 WHAT THE HELL? WHO ARE YOU? AAH! 280 00:14:36,006 --> 00:14:37,247 EDDIE! 281 00:14:37,247 --> 00:14:38,608 YOU KNOW THIS KID? 282 00:14:38,608 --> 00:14:41,111 HE LIVES IN THE NEIGHBORHOOD. 283 00:14:41,111 --> 00:14:44,254 I KNOCKED. NO ONE ANSWERED. SO I CAME THROUGH THE WINDOW. 284 00:14:44,254 --> 00:14:46,656 WE'RE NAKED. GET OUT! 285 00:14:46,656 --> 00:14:49,289 SHE TOLD ME I COULD COME OVER. WHO'S THIS GUY? 286 00:14:49,289 --> 00:14:52,192 HE'S MY HUSBAND, EDDIE! GET OUT! 287 00:14:55,125 --> 00:14:58,528 THIS IS HOW YOU'VE BEEN SPENDING YOUR DAYS? (sighs) 288 00:14:58,528 --> 00:15:00,370 HE'S LONELY. I'M LONELY. 289 00:15:00,370 --> 00:15:02,372 THERE ARE PLENTY OF WOMEN ON THIS STREET 290 00:15:02,372 --> 00:15:06,236 THAT YOU CAN BE FRIENDS WITH. WELL, THEY'RE ALL SO WEIRD. 291 00:15:06,236 --> 00:15:09,609 GABY, YOUR BEST FRIEND IS A 9-YEAR-OLD BOY. THAT'S WEIRD. 292 00:15:09,609 --> 00:15:12,612 HE HAS NO ONE IN HIS LIFE. HIS MOTHER TOTALLY IGNORES HIM. 293 00:15:12,612 --> 00:15:15,315 I'M THINKING OF GOING OVER THERE AND SAYING SOMETHING. 294 00:15:15,315 --> 00:15:18,318 NO. STAY OUT OF IT. THIS IS WHERE WE LIVE NOW, 295 00:15:18,318 --> 00:15:21,421 AND I DON'T WANT US TO BE KNOWN AS THE NOSY NEIGHBORS. 296 00:15:25,225 --> 00:15:28,258 BUT HE'S SO SAD. I DON'T CARE. 297 00:15:28,258 --> 00:15:30,260 STOP USING HIM AS YOUR EXCUSE. 298 00:15:30,260 --> 00:15:32,262 CUT HIM LOOSE AND GET OUT THERE 299 00:15:32,262 --> 00:15:34,404 AND START MAKING A LIFE FOR YOURSELF. 300 00:15:37,237 --> 00:15:38,608 (door closes) 301 00:15:43,313 --> 00:15:45,115 BUDDY? 302 00:15:48,348 --> 00:15:53,253 LOOK, EDDIE, I'M SORRY CARLOS YELLED AT YOU. 303 00:15:53,253 --> 00:15:56,156 IT'S JUST-- WE WERE CLEANING THE TUB. 304 00:15:56,156 --> 00:16:00,260 I KNOW WHAT SEX IS. I'M NOT STUPID. 305 00:16:00,260 --> 00:16:03,363 NO, YOU'RE NOT, WHICH IS WHY YOU SHOULD KNOW 306 00:16:03,363 --> 00:16:06,236 YOU CAN'T JUST BREAK INTO PEOPLE'S HOUSES. 307 00:16:06,236 --> 00:16:09,699 IT WAS OKAY WHEN I WAS UNPACKING YOUR BOXES. 308 00:16:09,699 --> 00:16:12,642 LOOK, EDDIE, I REALLY LIKE YOU. 309 00:16:12,642 --> 00:16:15,305 BUT THE THING IS, 310 00:16:15,305 --> 00:16:17,677 WE CAN'T HANG OUT SO MUCH ANYMORE. 311 00:16:17,677 --> 00:16:20,310 I NEED TO MAKE FRIENDS MY AGE, 312 00:16:20,310 --> 00:16:23,353 AND YOU NEED TO MAKE FRIENDS YOUR AGE. 313 00:16:23,353 --> 00:16:26,286 YOU KNOW WHAT? YOU'RE NOT SO PRETTY. 314 00:16:26,286 --> 00:16:27,987 (gasps) 315 00:16:27,987 --> 00:16:30,060 EDDIE! 316 00:16:30,060 --> 00:16:34,264 (both moaning) 317 00:16:37,467 --> 00:16:40,470 (door closes) (moans and giggles) 318 00:16:43,303 --> 00:16:45,075 (both laughing) 319 00:16:56,646 --> 00:16:59,649 (birds chirping) 320 00:17:01,121 --> 00:17:02,622 (thud) 321 00:17:02,622 --> 00:17:06,226 (chirping loudly) 322 00:17:11,131 --> 00:17:13,333 (gunshot) 323 00:17:22,312 --> 00:17:25,215 BREE HIRED EDDIE TO HELP OUT ON A WEDNESDAY, 324 00:17:25,215 --> 00:17:28,748 AND SHE HELPED HIM IN RETURN. 325 00:17:28,748 --> 00:17:31,751 IT'S LOOKING WONDERFUL, EDDIE. 326 00:17:31,751 --> 00:17:33,823 SAME TIME TOMORROW? 327 00:17:33,823 --> 00:17:38,228 SURE, MRS. HODGE. 328 00:17:38,228 --> 00:17:40,130 UM... 329 00:17:40,130 --> 00:17:42,292 I THINK YOU GAVE ME TOO MUCH. 330 00:17:42,292 --> 00:17:44,564 CALL IT A BONUS FOR A JOB WELL DONE. 331 00:17:44,564 --> 00:17:48,568 YOU DON'T NEED TO DO THIS. WELL, I'M SURE YOU COULD USE A LITTLE EXTRA CASH. 332 00:17:48,568 --> 00:17:50,570 DO YOU HAVE A GIRLFRIEND? 333 00:17:50,570 --> 00:17:53,273 MAYBE YOU COULD, UH, BUY HER SOMETHING NICE. 334 00:17:53,273 --> 00:17:55,275 UH, I DON'T HAVE A GIRLFRIEND. 335 00:17:55,275 --> 00:17:57,347 OH. 336 00:17:57,347 --> 00:17:58,678 WELL... 337 00:17:58,678 --> 00:18:00,580 YOU'RE STILL YOUNG. 338 00:18:00,580 --> 00:18:03,283 WELL, IT WOULDN'T MATTER HOW OLD I AM. 339 00:18:03,283 --> 00:18:05,655 GIRLS NEVER NOTICE ME. 340 00:18:05,655 --> 00:18:07,657 WELL, DID IT EVER OCCUR TO YOU 341 00:18:07,657 --> 00:18:11,391 THAT THEY MIGHT BE WAITING FOR YOU TO NOTICE THEM? 342 00:18:11,391 --> 00:18:13,363 UM... NO. 343 00:18:16,196 --> 00:18:18,698 ARE THERE ANY GIRLS THAT YOU LIKE? 344 00:18:18,698 --> 00:18:22,332 THERE IS THIS ONE GIRL AT SCHOOL. 345 00:18:22,332 --> 00:18:25,335 DO YOU EVER TALK TO HER? 346 00:18:25,335 --> 00:18:28,378 SEE? SHE HAS PROBABLY NOTICED YOU LOTS OF TIMES 347 00:18:28,378 --> 00:18:31,311 AND WONDERS WHY YOU DON'T WALK UP TO INTRODUCE YOURSELF. 348 00:18:31,311 --> 00:18:33,313 I WOULDN'T EVEN KNOW WHAT TO SAY. 349 00:18:33,313 --> 00:18:36,216 DOES SHE HAVE NICE EYES? 350 00:18:36,216 --> 00:18:38,318 SHE HAS NICE EVERYTHING. 351 00:18:38,318 --> 00:18:41,621 (chuckles) WELL, YOU CAN START BY MENTIONING HER EYES. 352 00:18:41,621 --> 00:18:45,355 TRUST ME. YOU CAN NEVER GO WRONG WITH A GENUINE COMPLIMENT. 353 00:18:45,355 --> 00:18:47,357 THIS IS GOOD STUFF. MM-HMM. 354 00:18:47,357 --> 00:18:49,359 ANYTHING ELSE? 355 00:18:49,359 --> 00:18:52,202 WELL, ONCE YOU HAVE HER ATTENTION, YOU'VE GOTTA WOO HER. 356 00:18:52,202 --> 00:18:53,233 WOO? 357 00:18:53,233 --> 00:18:55,235 YES. GIVE HER A LITTLE GIFT 358 00:18:55,235 --> 00:18:57,737 SO SHE KNOWS THAT YOU'RE THINKING ABOUT HER. 359 00:18:57,737 --> 00:18:59,239 FLOWERS ARE NICE. 360 00:18:59,239 --> 00:19:01,311 ROSES ARE EVEN BETTER. 361 00:19:01,311 --> 00:19:03,273 AND THEN EVENTUALLY, 362 00:19:03,273 --> 00:19:05,815 YOU CAN WORK YOUR WAY UP TO JEWELRY. 363 00:19:05,815 --> 00:19:08,478 I CAN'T AFFORD ALL THAT. 364 00:19:11,351 --> 00:19:12,652 NOW YOU CAN. 365 00:19:23,393 --> 00:19:24,534 EXCUSE ME. 366 00:19:24,534 --> 00:19:26,896 UM, ARE YOU EDDIE ORLOFSKY'S MOTHER? 367 00:19:26,896 --> 00:19:29,469 WHO'S ASKING? BREE HODGE. 368 00:19:29,469 --> 00:19:32,171 YOUR SON HAS BEEN DOING SOME PAINTING FOR ME 369 00:19:32,171 --> 00:19:34,374 OVER ON WISTERIA LANE. 370 00:19:34,374 --> 00:19:37,307 YOU'RE NOT THE WOMAN WHO HAS SEX WITH HER GARDENERS, ARE YOU? 371 00:19:37,307 --> 00:19:39,909 OH, GOOD HEAVENS, NO. THAT'S... 372 00:19:39,909 --> 00:19:41,411 SOMEBODY ELSE. 373 00:19:41,411 --> 00:19:44,714 UM, MAY I PLEASE SPEAK TO EDDIE? 374 00:19:44,714 --> 00:19:46,916 UH, HE'S NOT HERE. (thud) 375 00:19:46,916 --> 00:19:49,589 OH. UH, WELL, THEN, UM, 376 00:19:49,589 --> 00:19:52,292 MAYBE YOU CAN HELP ME. 377 00:19:52,292 --> 00:19:54,894 A FEW WEEKS AGO, 378 00:19:54,894 --> 00:19:58,498 I GAVE EDDIE SOME ADVICE ON HOW TO TALK TO GIRLS. 379 00:19:58,498 --> 00:20:01,771 OH, I'M GLAD SOMEONE DID. THE KID IS A LUMMOX. 380 00:20:01,771 --> 00:20:04,604 UH, YES. UH, WELL... 381 00:20:04,604 --> 00:20:08,338 WHAT I DIDN'T REALIZE IS THAT THE OBJECT OF HIS AFFECTION 382 00:20:08,338 --> 00:20:09,939 IS MY DAUGHTER DANIELLE. 383 00:20:09,939 --> 00:20:12,282 HE GAVE HER ROSES AND THEN MORE ROSES, 384 00:20:12,282 --> 00:20:16,716 AND THEN I FOUND THIS IN MY MAILBOX. 385 00:20:16,716 --> 00:20:18,918 (scoffs) 386 00:20:18,918 --> 00:20:21,721 OH, BIG SPENDER. (chuckles) 387 00:20:21,721 --> 00:20:23,993 JUST LIKE HIS DAD. 388 00:20:23,993 --> 00:20:26,356 IT WAS A LOVELY GESTURE. 389 00:20:30,330 --> 00:20:32,332 SADLY, DANIELLE DOESN'T RETURN HIS FEELINGS. 390 00:20:32,332 --> 00:20:35,335 SHE SPENDS MOST OF HER TIME WITH THE OTHER CHEERLEADERS-- 391 00:20:35,335 --> 00:20:37,467 SAY NO MORE. SHE'S OUT OF HIS LEAGUE. 392 00:20:37,467 --> 00:20:40,340 NO. THAT'S NOT WHAT I MEAN. 393 00:20:40,340 --> 00:20:43,313 SO WHAT, YOU WANT ME TO TALK TO HIM? 394 00:20:43,313 --> 00:20:44,744 UH, YES. 395 00:20:44,744 --> 00:20:48,718 UH, IF YOU COULD JUST SAY SOMETHING TO LET HIM DOWN EASY. 396 00:20:48,718 --> 00:20:51,020 YOU GOT IT. 397 00:20:53,453 --> 00:20:54,984 WHAT'S GOING ON? 398 00:20:54,984 --> 00:20:58,358 (door closes) THIS LADY SAYS YOU'VE BEEN STALKING HER DAUGHTER. 399 00:20:58,358 --> 00:21:02,692 I DIDN'T SAY THAT. YOU JUST SAID HE IS HARASSING SOME GIRL HE HAS NO CHANCE WITH. 400 00:21:02,692 --> 00:21:05,965 WHAT THE HELL ELSE DO YOU CALL THAT? 401 00:21:05,965 --> 00:21:09,439 I WAS TRYING TO WOO HER. 402 00:21:09,439 --> 00:21:11,841 (laughing) 403 00:21:11,841 --> 00:21:14,374 WOO HER? 404 00:21:14,374 --> 00:21:16,706 OH, MY GOD. THAT'S HYSTERICAL. 405 00:21:16,706 --> 00:21:18,848 THERE'S NO NEED TO MOCK HIM. 406 00:21:18,848 --> 00:21:21,010 OH, WHO IS MOCKING? I AM THRILLED. 407 00:21:21,010 --> 00:21:23,983 I ALWAYS FIGURED THE ONLY GIRL HE'D END UP WITH 408 00:21:23,983 --> 00:21:25,985 WOULD BE BLIND, DEAF OR INFLATABLE. 409 00:21:27,487 --> 00:21:31,491 BUT NOW THAT I KNOW HOW GOOD HE IS AT WOOING... 410 00:21:31,491 --> 00:21:32,662 (laughs) 411 00:21:32,662 --> 00:21:34,894 PLEASE DON'T LAUGH AT ME. 412 00:21:34,894 --> 00:21:36,966 I'LL DO WHAT I WANT, ROMEO. 413 00:21:36,966 --> 00:21:38,798 AND DON'T WORRY. 414 00:21:38,798 --> 00:21:41,701 I'LL MAKE SURE HE STOPS HASSLING YOUR DAUGHTER. 415 00:21:50,309 --> 00:21:52,942 (whispers) I'M SORRY. 416 00:22:02,552 --> 00:22:03,893 HELLO, EDDIE. 417 00:22:03,893 --> 00:22:06,826 IT'S BEEN A FEW DAYS. 418 00:22:06,826 --> 00:22:10,329 I WASN'T, UH, SURE IF I'D BE SEEING YOU AGAIN. 419 00:22:11,661 --> 00:22:14,964 I DIDN'T WANNA COME BACK, BUT I NEEDED THE MONEY. 420 00:22:14,964 --> 00:22:17,667 NO, I DON'T BLAME YOU FOR BEING ANGRY. 421 00:22:17,667 --> 00:22:21,010 I DON'T WANT TO TALK ABOUT THIS. 422 00:22:21,010 --> 00:22:23,342 OH, EDDIE, I WISH YOU HAD TOLD ME 423 00:22:23,342 --> 00:22:25,845 THAT DANIELLE WAS THE GIRL YOU WERE INTERESTED IN. 424 00:22:25,845 --> 00:22:27,847 OH, YEAH, RIGHT. THEN-- THEN YOU COULD HAVE TOLD ME 425 00:22:27,847 --> 00:22:31,350 THAT SHE WAS OUT OF MY LEAGUE AND SAVED MY MOM THE TROUBLE. I WOULDN'T HAVE SAID THAT, 426 00:22:31,350 --> 00:22:33,853 AND I DEFINITELY WOULDN'T HAVE LAUGHED AT YOU. 427 00:22:33,853 --> 00:22:37,026 WHY NOT? (laughs) IT'S--IT'S PRETTY FUNNY. 428 00:22:37,026 --> 00:22:40,430 NERDY FREAK WANTS TO DATE POPULAR CHEERLEADER? 429 00:22:40,430 --> 00:22:43,393 THE ONLY THING I SEE WHEN I LOOK AT YOU IS A NICE YOUNG MAN 430 00:22:43,393 --> 00:22:45,935 WHO ISN'T TREATED AS WELL AS HE SHOULD BE. 431 00:22:45,935 --> 00:22:49,038 YEAH, WELL, TELL DANIELLE SHE CAN RELAX. 432 00:22:49,038 --> 00:22:52,141 I, UH, I WON'T BE TALKING TO HER ANYMORE. I'VE BEEN FORBIDDEN. 433 00:22:52,141 --> 00:22:55,445 OH, EDDIE, DANIELLE WOULD BE HAPPY TO TALK TO YOU, 434 00:22:55,445 --> 00:22:57,647 AS A FRIEND. 435 00:22:57,647 --> 00:23:01,951 (crying) I DON'T WANT A FRIEND. I WANT SOMEONE TO LOVE ME. 436 00:23:04,614 --> 00:23:07,156 WELL, OF COURSE YOU DO. 437 00:23:08,818 --> 00:23:11,120 I THINK I, UH, 438 00:23:11,120 --> 00:23:13,092 I WANNA WORK NOW. 439 00:23:13,092 --> 00:23:15,565 (sniffles) 440 00:23:20,430 --> 00:23:24,804 EDDIE, THERE IS SOMEONE OUT THERE FOR YOU. 441 00:23:24,804 --> 00:23:27,106 YOU JUST HAVE TO BE PATIENT. 442 00:23:27,106 --> 00:23:29,779 FOR HOW LONG? 443 00:23:29,779 --> 00:23:31,781 I FEEL LIKE I'M WAITING 444 00:23:31,781 --> 00:23:34,784 FOR SOMEONE WHO'S NEVER GONNA SHOW UP. 445 00:23:34,784 --> 00:23:38,417 THERE ARE GIRLS OUT THERE WHO WILL SAY "YES" TO YOU. 446 00:23:38,417 --> 00:23:40,419 YOU JUST HAVE TO FIND THEM. 447 00:23:44,454 --> 00:23:48,127 (siren wailing in distance) YES. IT'S HALF UP FRONT AND HALF AFTER. 448 00:23:48,127 --> 00:23:50,760 (bills crinkle, dog barking in distance) 449 00:23:50,760 --> 00:23:53,463 SO WHERE DO WE GO? 450 00:23:53,463 --> 00:23:55,064 DOWN THERE. 451 00:23:55,064 --> 00:23:56,566 OH. 452 00:23:56,566 --> 00:23:59,168 (horns honking in distance) DON'T WORRY, CUTIE. 453 00:23:59,168 --> 00:24:01,440 NO ONE'S GONNA SEE US. 454 00:24:01,440 --> 00:24:05,174 YOU CAN DO WHATEVER YOU WANT. 455 00:24:09,218 --> 00:24:11,551 WAIT, WAIT, WAIT, WAIT. 456 00:24:13,222 --> 00:24:15,855 I FORGOT SOMETHING. 457 00:24:15,855 --> 00:24:18,227 I GOT YOU THESE. 458 00:24:20,089 --> 00:24:23,092 (laughing) 459 00:24:25,535 --> 00:24:28,097 WOW. I JUST... 460 00:24:28,097 --> 00:24:29,839 (laughs) 461 00:24:29,839 --> 00:24:31,841 PLEASE DON'T LAUGH AT ME. 462 00:24:31,841 --> 00:24:33,703 I'M SORRY. 463 00:24:33,703 --> 00:24:37,076 I'M SORRY. (laughs) 464 00:24:37,076 --> 00:24:38,848 LET'S JUST GO. 465 00:24:38,848 --> 00:24:41,851 (laughing) 466 00:24:48,257 --> 00:24:51,821 (dog barking in distance) 467 00:24:51,821 --> 00:24:55,224 (panting) 468 00:25:07,937 --> 00:25:10,279 (door bells jingle) 469 00:25:10,279 --> 00:25:13,042 SUSAN FIRST NOTICED EDDIE 470 00:25:13,042 --> 00:25:16,045 AS THE BOY WHO SOLD HER COFFEE. 471 00:25:16,045 --> 00:25:18,187 THEN ONE THURSDAY, 472 00:25:18,187 --> 00:25:20,550 SHE NOTICED SOMETHING MORE. 473 00:25:20,550 --> 00:25:22,251 WOW. THAT'S AMAZING. 474 00:25:22,251 --> 00:25:25,154 OH, HEY. I DIDN'T KNOW YOU WERE AN ARTIST. 475 00:25:25,154 --> 00:25:27,156 OH, I WAS JUST-- I'M FOOLING AROUND. 476 00:25:27,156 --> 00:25:29,158 UH, WHAT CAN I GET YOU? 477 00:25:29,158 --> 00:25:31,631 NO, LET ME SEE IT. 478 00:25:34,063 --> 00:25:37,837 (man) OH, THOSE ARE GREAT. IS THERE ANYTHING ELSE YOU ALL WOULD LIKE? 479 00:25:37,837 --> 00:25:40,539 WOW. LOOK AT THE SHADOWING AND THE BLENDING. 480 00:25:40,539 --> 00:25:42,572 IT'S... IT'S REALLY GOOD. 481 00:25:42,572 --> 00:25:44,574 MY MOM THINKS I'M WASTING MY TIME. 482 00:25:44,574 --> 00:25:47,216 SHE SAYS THERE'S LOTS OF PEOPLE WAY BETTER THAN ME. 483 00:25:47,216 --> 00:25:49,218 WELL, YOU TELL YOUR MOM 484 00:25:49,218 --> 00:25:51,280 THAT I HAVE AN EXPENSIVE, WORTHLESS ART DEGREE 485 00:25:51,280 --> 00:25:53,282 THAT SAYS I KNOW WHAT I'M TAKING ABOUT, 486 00:25:53,282 --> 00:25:55,925 AND YOU HAVE HUGE POTENTIAL. 487 00:25:55,925 --> 00:25:58,958 YOU THINK? YEAH. YOU JUST NEED TO WORK ON YOUR TECHNIQUE. 488 00:25:58,958 --> 00:26:01,030 I COULD HELP IF YOU WANT. 489 00:26:01,030 --> 00:26:02,762 SERIOUSLY? 490 00:26:04,563 --> 00:26:06,295 THAT'D BE GREAT. THANKS. 491 00:26:06,295 --> 00:26:07,667 (chuckles) 492 00:26:07,667 --> 00:26:10,569 (chuckles) OKAY, WHATEVER YOU WANT--ON THE HOUSE. 493 00:26:10,569 --> 00:26:12,642 OH. UM, 494 00:26:12,642 --> 00:26:16,806 I'LL HAVE A LARGE, TRIPLE-SHOT LATTE. 495 00:26:16,806 --> 00:26:18,848 THAT'S FUNNY. YOUR HUSBAND WAS IN HERE EARLIER, 496 00:26:18,848 --> 00:26:21,110 AND THAT'S EXACTLY WHAT HE ORDERED. 497 00:26:21,110 --> 00:26:22,852 ACTUALLY, HE'S... 498 00:26:22,852 --> 00:26:24,213 NOW MY EX-HUSBAND. 499 00:26:26,656 --> 00:26:29,619 OH. I'M--I'M SORRY. I DIDN'T MEAN IT. 500 00:26:29,619 --> 00:26:32,221 NO, NO. IT'S FINE. WE'VE ALL MOVED ON. 501 00:26:32,221 --> 00:26:35,224 (espresso machine whirring) MIKE'S DATING THE WOMAN THAT LIVES ACROSS THE STREET NOW, 502 00:26:35,224 --> 00:26:38,267 AND I'M, UH... 503 00:26:38,267 --> 00:26:42,001 ADDING A DOUBLE CHOCOLATE BROWNIE TO MY ORDER. 504 00:26:42,001 --> 00:26:44,373 WE'RE ALL VERY HAPPY. 505 00:26:44,373 --> 00:26:46,776 WELL, IF IT MAKES YOU FEEL ANY BETTER, 506 00:26:46,776 --> 00:26:49,378 I'M SURE A LOT OF PEOPLE WOULD LIKE TO DATE YOU. 507 00:26:49,378 --> 00:26:52,111 YOU HAVE HUGE POTENTIAL, TOO. (chuckles) 508 00:26:53,612 --> 00:26:55,284 (whispers) BROWNIE. 509 00:26:55,284 --> 00:26:57,817 RIGHT. 510 00:26:59,649 --> 00:27:03,122 EDDIE, THE DETAIL IS AMAZING. 511 00:27:03,122 --> 00:27:05,094 YOUR USE OF PERSPECTIVE.... 512 00:27:05,094 --> 00:27:09,028 I CAN'T BELIEVE YOU'VE COME SO FAR IN JUST A FEW WEEKS. 513 00:27:09,028 --> 00:27:10,299 WELL... 514 00:27:10,299 --> 00:27:12,301 I HAD A REALLY GOOD TEACHER. 515 00:27:12,301 --> 00:27:14,303 (chuckles) THAT'S SWEET. 516 00:27:14,303 --> 00:27:18,067 BUT ACTUALLY, I THINK THAT YOU'VE OUTGROWN ME, 517 00:27:18,067 --> 00:27:20,109 WHICH IS WHY I HAVE A SURPRISE FOR YOU. 518 00:27:20,109 --> 00:27:22,772 WHAT? 519 00:27:22,772 --> 00:27:24,714 I SIGNED YOU UP 520 00:27:24,714 --> 00:27:29,118 FOR A 2-WEEK SEMINAR AT THE ART INSTITUTE. 521 00:27:29,118 --> 00:27:31,420 AND BEFORE YOU SAY YOU CAN'T AFFORD IT, 522 00:27:31,420 --> 00:27:34,724 I ALREADY WROTE THE CHECK. 523 00:27:34,724 --> 00:27:37,727 THIS IS, LIKE, THE NICEST THING ANYBODY'S EVER DONE FOR ME. 524 00:27:37,727 --> 00:27:39,729 OH. 525 00:27:39,729 --> 00:27:41,931 BUT I CAN'T GO. 526 00:27:41,931 --> 00:27:43,262 WHY NOT? 527 00:27:43,262 --> 00:27:45,264 MY MOM WOULD NEVER LET ME. 528 00:27:45,264 --> 00:27:48,267 I MEAN, SHE--SHE--SHE THINKS THIS WHOLE ART THING IS STUPID. 529 00:27:48,267 --> 00:27:51,070 EDDIE, YOU CAN'T LET HER DO THIS TO YOU. 530 00:27:51,070 --> 00:27:54,103 YOU HAVE SUCH A GIFT. 531 00:27:54,103 --> 00:27:56,045 (sighs) 532 00:27:58,407 --> 00:28:00,309 LISTEN TO ME. 533 00:28:00,309 --> 00:28:03,252 WHEN YOU LOVE SOMETHING THAT MUCH, 534 00:28:03,252 --> 00:28:05,314 YOU CAN'T JUST LET IT GO. 535 00:28:05,314 --> 00:28:10,089 THAT KIND OF LOVE IS THE ONE THING THAT KEEPS US GOING, 536 00:28:10,089 --> 00:28:13,192 WHETHER IT MAKES SENSE TO ANYONE ELSE OR NOT. 537 00:28:14,693 --> 00:28:15,925 WOW. 538 00:28:17,767 --> 00:28:21,270 THIS IS JUST ABOUT THE ONLY THING THAT MAKES ME HAPPY. 539 00:28:21,270 --> 00:28:25,104 THEN TO HELL WITH THE REST OF THE WORLD. 540 00:28:25,104 --> 00:28:27,406 (chuckles) 541 00:28:33,783 --> 00:28:36,045 MRS. MAYER? 542 00:28:36,045 --> 00:28:38,417 ARE YOU THERE? IT'S ME, EDDIE. 543 00:28:38,417 --> 00:28:41,821 (Susan) OH, COME ON IN! I'LL BE RIGHT DOWN. 544 00:28:41,821 --> 00:28:45,294 HEY, THOSE ART CLASSES WERE AMAZING! 545 00:28:45,294 --> 00:28:46,996 THE FIRST THREE DAYS, 546 00:28:46,996 --> 00:28:50,029 THEY HAD US DO NOTHING BUT PORTRAITS FROM MEMORY. 547 00:28:50,029 --> 00:28:51,330 AND THEN THEY, UH, 548 00:28:51,330 --> 00:28:54,133 THEY BROUGHT US DOWN TO THE BEACH TO DO SEASCAPES. 549 00:28:54,133 --> 00:28:56,135 I'VE GOT SO MUCH TO TELL YOU! 550 00:28:56,135 --> 00:28:58,207 YEAH. ME, TOO. 551 00:28:58,207 --> 00:28:59,869 (chuckles) 552 00:28:59,869 --> 00:29:01,941 WHY ARE YOU WEARING THAT? 553 00:29:01,941 --> 00:29:04,073 (sighs) I'M GETTING MARRIED. 554 00:29:04,073 --> 00:29:06,375 TO WHO? 555 00:29:06,375 --> 00:29:07,777 MIKE. 556 00:29:07,777 --> 00:29:10,019 UH, BUT HE DIVORCED YOU. 557 00:29:10,019 --> 00:29:12,021 HE MADE YOU SO UNHAPPY. 558 00:29:12,021 --> 00:29:13,252 HE DID. 559 00:29:13,252 --> 00:29:17,256 UH, BUT THEN THIS MADMAN KIDNAPPED M.J., 560 00:29:17,256 --> 00:29:20,259 AND SO I WENT AFTER HIM, AND THEN MIKE CAME AFTER US, 561 00:29:20,259 --> 00:29:22,261 AND HE SAVED US BOTH. 562 00:29:22,261 --> 00:29:24,293 SO WE FELL BACK IN LOVE. 563 00:29:24,293 --> 00:29:27,036 THIS DOESN'T MAKE ANY SENSE. 564 00:29:27,036 --> 00:29:28,337 IT'S SO QUICK. 565 00:29:28,337 --> 00:29:30,169 I KNOW. 566 00:29:30,169 --> 00:29:32,942 OH, MY GOD. ARE THOSE ECLAIRS? 567 00:29:32,942 --> 00:29:34,173 YEAH. 568 00:29:34,173 --> 00:29:36,375 OH, THEY LOOK MESSY. GET THEM AWAY. 569 00:29:36,375 --> 00:29:39,048 SO, YEAH, IT IS QUICK. 570 00:29:39,048 --> 00:29:41,480 I CAN'T BELIEVE IN TWO HOURS, 571 00:29:41,480 --> 00:29:43,883 I'M GONNA BE MARRYING MIKE 572 00:29:43,883 --> 00:29:45,985 AND PROMISING HIM I'LL BE WITH HIM FOREVER... 573 00:29:45,985 --> 00:29:47,987 (chuckles) FOR THE SECOND TIME. 574 00:29:47,987 --> 00:29:50,289 OH, I HAVE ZERO CREDIBILITY. 575 00:29:50,289 --> 00:29:51,320 (sighs) 576 00:29:51,320 --> 00:29:53,362 OH, LOOK AT ME. 577 00:29:53,362 --> 00:29:56,225 I DON'T KNOW IF I'M GONNA MAKE IT DOWN THE AISLE. 578 00:29:56,225 --> 00:29:58,427 ARE THEY CHOCOLATE? NO, I DON'T WANNA KNOW. 579 00:29:58,427 --> 00:29:59,929 DON'T DO IT. 580 00:29:59,929 --> 00:30:03,432 THEY JUST SMELL SO GOOD. NO, I MEAN THE WEDDING. 581 00:30:03,432 --> 00:30:06,105 IF YOU'RE NOT SURE, DON'T MARRY MIKE. 582 00:30:06,105 --> 00:30:08,107 OH, NO, EDDIE, I'VE--I BOOKED THE CHURCH, 583 00:30:08,107 --> 00:30:11,040 I BOUGHT THE DRESS. I HAVE TO MARRY SOMEBODY. 584 00:30:11,040 --> 00:30:14,413 YOU COULD MARRY ME. 585 00:30:16,986 --> 00:30:18,988 I HAVE SOME MONEY SAVED UP. 586 00:30:23,552 --> 00:30:27,556 (laughs) 587 00:30:27,556 --> 00:30:30,429 OKAY, YOU ALMOST GOT ME. 588 00:30:30,429 --> 00:30:33,903 (laughs) 589 00:30:33,903 --> 00:30:35,464 YOU ARE SO SWEET. 590 00:30:35,464 --> 00:30:37,466 YOU SAW THAT I WAS FREAKING OUT, 591 00:30:37,466 --> 00:30:39,939 AND YOU KNEW THAT I NEEDED A GOOD LAUGH. 592 00:30:39,939 --> 00:30:42,211 I DON'T KNOW WHAT I'D DO WITHOUT YOU. (kisses) 593 00:30:42,211 --> 00:30:44,213 HEY, I HAVE TO FINISH GETTING READY. 594 00:30:44,213 --> 00:30:46,876 COME TO THE CHURCH IF YOU WANT. 595 00:30:46,876 --> 00:30:48,317 OH. WHAT THE HELL? 596 00:30:48,317 --> 00:30:50,249 (bag crinkles) 597 00:30:50,249 --> 00:30:53,052 I CAN ALWAYS USE MY BOUQUET TO COVER THE STAIN. (laughs) 598 00:31:11,470 --> 00:31:14,043 BY THE POWER VESTED IN ME, 599 00:31:14,043 --> 00:31:17,376 I NOW PRONOUNCE YOU HUSBAND AND WIFE. 600 00:31:17,376 --> 00:31:19,578 YOU MAY KISS YOUR BRIDE. 601 00:31:21,450 --> 00:31:23,482 (chuckles) 602 00:31:23,482 --> 00:31:26,485 (cheering) 603 00:32:09,328 --> 00:32:13,302 (bottles rattling) 604 00:32:13,302 --> 00:32:16,165 (gasps) 605 00:32:16,165 --> 00:32:18,567 (choking) 606 00:32:23,712 --> 00:32:26,715 (dog barking in distance) 607 00:32:28,447 --> 00:32:30,279 (whispers) JULIE! 608 00:32:34,323 --> 00:32:37,326 (monitor beeping steadily) 609 00:32:38,687 --> 00:32:41,690 (woman speaking indistinctly over P.A.) 610 00:32:43,562 --> 00:32:45,494 EDDIE. 611 00:32:45,494 --> 00:32:48,367 I WAS JUST GETTING SOME COFFEE. HOW SWEET OF YOU TO VISIT. 612 00:32:48,367 --> 00:32:50,369 WELL, IT'S THE FIRST DAY 613 00:32:50,369 --> 00:32:54,373 THAT THEY ALLOWED NON-FAMILY MEMBERS. 614 00:32:57,306 --> 00:32:59,548 I STILL CAN'T BELIEVE IT HAPPENED. 615 00:32:59,548 --> 00:33:01,480 I KEEP ASKING MYSELF, 616 00:33:01,480 --> 00:33:05,454 HOW CAN THERE BE THIS KIND OF EVIL IN THE WORLD? 617 00:33:09,518 --> 00:33:12,121 WHAT KIND OF MONSTER WOULD DO THIS TO HER? 618 00:33:18,427 --> 00:33:20,269 IT WASN'T A MONSTER. 619 00:33:22,131 --> 00:33:25,374 NO, MONSTERS ARE BIG AND STRONG. 620 00:33:25,374 --> 00:33:28,377 THIS WAS DONE BY SOME WEAK, INSIGNIFICANT PIECE OF GARBAGE 621 00:33:28,377 --> 00:33:30,709 THAT DOESN'T EVEN DESERVE TO BE ON THIS EARTH. 622 00:33:33,182 --> 00:33:35,184 ANYONE WHO COULD DO THIS 623 00:33:35,184 --> 00:33:37,486 TO SOMEONE AS SWEET AS JULIE AND YOU... 624 00:33:37,486 --> 00:33:39,748 HE SHOULD JUST DO EVERYONE A FAVOR 625 00:33:39,748 --> 00:33:42,291 AND JUST... 626 00:33:42,291 --> 00:33:45,254 KILL HIMSELF. 627 00:33:45,254 --> 00:33:48,457 ANYONE THAT COULD DO THIS... 628 00:33:48,457 --> 00:33:50,459 IS TOO COWARDLY FOR THAT. 629 00:33:57,236 --> 00:33:58,507 YOU'RE RIGHT. 630 00:34:09,278 --> 00:34:12,181 IT WAS DURING A FRIDAY NIGHT GAME OF CHARADES 631 00:34:12,181 --> 00:34:16,325 THAT LYNETTE WAS CLUED IN TO THE TRUTH OF EDDIE'S LIFE. 632 00:34:16,325 --> 00:34:17,456 TH-THREE WORDS. 633 00:34:17,456 --> 00:34:19,158 THIRD WORD. THIRD WORD. 634 00:34:20,359 --> 00:34:22,691 YOU. YOU. OH, UH, PREGNANT. 635 00:34:22,691 --> 00:34:25,394 BLOATED. SWOLLEN. HUGE. 636 00:34:25,394 --> 00:34:28,137 LADY, TOM. I'M A LADY. 637 00:34:28,137 --> 00:34:29,698 NO TALKING. BETTER THAN HITTING. 638 00:34:32,341 --> 00:34:33,742 "DU BARRY WAS A LADY." 639 00:34:33,742 --> 00:34:35,744 "THREE TIMES A LADY." 640 00:34:35,744 --> 00:34:37,776 UH, "TRAMP AND THE LADY"? NO. NO, "MY FAIR LADY"! 641 00:34:37,776 --> 00:34:40,109 YES. YES! 642 00:34:40,109 --> 00:34:42,311 "TRAMP AND THE LADY." REALLY? 643 00:34:42,311 --> 00:34:44,413 (doorbell rings) COMING! 644 00:34:44,413 --> 00:34:49,518 IT'S NOT EASY WHEN YOU'RE SWOLLEN, BLOATED AND HUGE. 645 00:34:49,518 --> 00:34:52,161 WHERE'S MY KID? 646 00:34:52,161 --> 00:34:55,264 HEY, BARBARA. HE'S IN HERE WITH US. YOU WANT TO COME IN? 647 00:34:55,264 --> 00:34:57,326 NO. 648 00:34:57,326 --> 00:34:59,798 EDDIE. 649 00:34:59,798 --> 00:35:02,271 GET OUT HERE. 650 00:35:07,206 --> 00:35:10,209 MOM, WHAT ARE YOU DOING HERE? WHY DIDN'T YOU ANSWER YOUR PHONE? 651 00:35:10,209 --> 00:35:12,211 WELL, THAT WAS PROBABLY OUR FAULT. 652 00:35:12,211 --> 00:35:14,483 UM, WE WERE PLAYING CHARADES, 653 00:35:14,483 --> 00:35:18,417 AND YOU KNOW HOW LOUD THAT CAN GET. YEAH, I GUESS MY INVITATION GOT LOST IN THE MAIL. 654 00:35:18,417 --> 00:35:20,749 YOU GOTTA COME HOME. IT'S NOT EVEN 8:00, MOM. 655 00:35:20,749 --> 00:35:23,192 I DON'T CARE. MOM, I'M HAVING FUN. 656 00:35:23,192 --> 00:35:25,824 WELL, YOU SHOULD HAVE THOUGHT ABOUT THAT 657 00:35:25,824 --> 00:35:28,727 BEFORE YOU HID MY STUFF. I DIDN'T HIDE IT. 658 00:35:28,727 --> 00:35:30,429 EVERYTHING OKAY? IT'S NOTHING. 659 00:35:30,429 --> 00:35:32,331 YEAH, HE HIDES MY BOOZE 660 00:35:32,331 --> 00:35:34,333 AND THEN ACTS ALL ASHAMED WHEN I CALL HIM ON IT. 661 00:35:34,333 --> 00:35:37,336 I KNOW YOU HID IT, YOU LITTLE BASTARD. HEY. 662 00:35:37,336 --> 00:35:39,468 NO, MRS. SCAVO, IT'S OKAY. IT'S OKAY. 663 00:35:39,468 --> 00:35:42,511 MOM, COME ON. I'LL WALK YOU HOME. 664 00:35:42,511 --> 00:35:46,775 I-I DON'T THINK YOU SHOULD TALK TO YOUR SON THAT WAY. 665 00:35:48,577 --> 00:35:49,878 WHAT DO YOU CARE? 666 00:35:49,878 --> 00:35:52,551 HUH? WHAT IS HE, YOUR PET PROJECT? 667 00:35:52,551 --> 00:35:54,553 YOU FEED HIM A LITTLE DINNER, LYNETTE, 668 00:35:54,553 --> 00:35:56,785 AND THEN YOU LET HIM PLAY YOUR STUPID GAMES 669 00:35:56,785 --> 00:35:59,458 SO YOU CAN FEEL GOOD ABOUT YOURSELF? 670 00:36:01,159 --> 00:36:02,461 YEAH. 671 00:36:02,461 --> 00:36:04,263 I GOT YOUR NUMBER. 672 00:36:23,452 --> 00:36:25,414 (speaking inaudibly) 673 00:36:27,886 --> 00:36:30,559 I'M OUT OF SCOTCH. 674 00:36:30,559 --> 00:36:33,262 I'LL BUY YOU SOME MORE WHILE I'M OUT. 675 00:36:33,262 --> 00:36:36,365 GOT ANY IN YOUR ROOM? 676 00:36:36,365 --> 00:36:39,568 NO. AND STAY OUT OF THERE. 677 00:36:44,703 --> 00:36:47,606 HI, MRS. SCAVO. I'M HERE TO FIX YOUR CAR. 678 00:36:47,606 --> 00:36:51,280 YOU ARE SO SWEET TO REMEMBER THIS. THANK YOU. 679 00:36:51,280 --> 00:36:52,811 SO... 680 00:36:52,811 --> 00:36:55,514 HOW ARE THINGS AT HOME? 681 00:36:55,514 --> 00:36:58,547 ARE THE TOOLS IN THE GARAGE? I SHOULD PROBABLY GET STARTED. 682 00:36:58,547 --> 00:36:59,818 YEAH. 683 00:36:59,818 --> 00:37:01,390 OKAY. 684 00:37:11,500 --> 00:37:14,463 HEY. WE GOT ANY CAKE LEFT? 685 00:37:14,463 --> 00:37:16,565 I'M NOT SURE. 686 00:37:16,565 --> 00:37:18,667 YOU OKAY? 687 00:37:18,667 --> 00:37:22,611 I DON'T KNOW. I KEEP THINKING ABOUT LAST NIGHT. 688 00:37:22,611 --> 00:37:24,943 MM. YEAH, ME, TOO. 689 00:37:24,943 --> 00:37:27,546 AND I'M JUST SO... 690 00:37:29,518 --> 00:37:31,450 LIVID. 691 00:37:31,450 --> 00:37:35,484 YEAH. THAT BARBARA IS AN INFURIATING WOMAN. 692 00:37:35,484 --> 00:37:38,887 NO. TOM, NO. I AM LIVID AT US-- 693 00:37:38,887 --> 00:37:42,291 THE WAY SHE TALKED TO EDDIE, AND WE DID NOTHING. 694 00:37:42,291 --> 00:37:46,565 I KNOW. BUT WE CAN'T FORCE HER TO BE NICE TO HER OWN KID. 695 00:37:46,565 --> 00:37:48,567 THAT'S WHAT EVERYBODY ALWAYS SAYS. 696 00:37:48,567 --> 00:37:51,570 BUT WE ALL KNOW THE WOMAN IS A DRUNKEN NIGHTMARE. 697 00:37:51,570 --> 00:37:55,344 WE COMPLAIN ABOUT HER, WE GOSSIP ABOUT HER, 698 00:37:55,344 --> 00:37:58,447 AND THEN WE WATCH HER WALK INTO THAT HOUSE, 699 00:37:58,447 --> 00:38:01,950 WHERE WE KNOW SOMETHING BAD IS HAPPENING. 700 00:38:01,950 --> 00:38:03,482 BUT WE DO NOTHING. 701 00:38:03,482 --> 00:38:05,614 (kettle whistling) 702 00:38:05,614 --> 00:38:07,656 WELL... 703 00:38:07,656 --> 00:38:10,959 I'M TIRED OF BEING ONE OF THE PEOPLE WHO DOES NOTHING. 704 00:38:10,959 --> 00:38:13,992 WELL, EDDIE IS AN ADULT NOW. 705 00:38:13,992 --> 00:38:16,665 AND HE CAN LEAVE WHENEVER HE WANTS. 706 00:38:16,665 --> 00:38:19,698 HE'S PROBABLY SO DAMAGED, HE DOESN'T KNOW HOW TO LEAVE. 707 00:38:23,502 --> 00:38:26,835 WHERE ARE YOU GOING WITH THIS? 708 00:38:26,835 --> 00:38:30,939 MA, I'M BACK FROM THE STORE. 709 00:38:30,939 --> 00:38:32,881 MA? 710 00:38:34,683 --> 00:38:36,445 WHAT IS THAT? 711 00:38:36,445 --> 00:38:38,587 YOUR SCRAPBOOK. 712 00:38:41,350 --> 00:38:44,052 I DON'T UNDERSTAND, EDDIE. 713 00:38:44,052 --> 00:38:46,825 THERE ARE ALL THESE NEWSPAPER ARTICLES IN HERE 714 00:38:46,825 --> 00:38:50,459 ABOUT GIRLS IN FAIRVIEW WHO HAVE BEEN... 715 00:38:50,459 --> 00:38:52,661 STRANGLED OR MURDERED. 716 00:38:55,063 --> 00:38:58,637 WHY WOULD YOU COLLECT THIS STUFF? 717 00:39:00,909 --> 00:39:05,343 DON'T JUST LOOK DOWN AT YOUR FEET. 718 00:39:05,343 --> 00:39:09,347 YOU GOTTA TELL ME THE TRUTH, OKAY? 719 00:39:09,347 --> 00:39:11,680 DID YOU HAVE ANYTHING TO DO WITH... 720 00:39:11,680 --> 00:39:13,552 HURTING THOSE GIRLS? 721 00:39:18,086 --> 00:39:21,460 (gasps) OH, MY GOD. 722 00:39:21,460 --> 00:39:22,831 (dishes clatter) 723 00:39:22,831 --> 00:39:26,034 HOW COULD YOU DO SOMETHING LIKE THIS? OH, GOD. 724 00:39:26,034 --> 00:39:29,668 I DIDN'T RAISE YOU TO--TO BE LIKE THIS. 725 00:39:32,501 --> 00:39:34,002 DIDN'T YOU? 726 00:39:34,002 --> 00:39:36,475 (exhales deeply) 727 00:39:36,475 --> 00:39:39,608 WHAT IS THAT SUPPOSED TO MEAN? THIS IS MY FAULT? 728 00:39:39,608 --> 00:39:42,551 LOOK... YOU'RE UPSET. 729 00:39:44,453 --> 00:39:47,586 WHY DON'T YOU SIT BACK DOWN AND HAVE SOMETHING TO DRINK? 730 00:39:47,586 --> 00:39:50,619 YOU'RE GONNA TRY TO BLAME THIS ON ME. 731 00:39:50,619 --> 00:39:52,591 NO WAY. 732 00:39:52,591 --> 00:39:55,123 SCREW YOU. 733 00:39:57,426 --> 00:40:01,470 WHAT ARE YOU DOING? WHAT DO YOU THINK I'M DOING, YOU MORON? I'M CALLING THE POLICE! 734 00:40:01,470 --> 00:40:03,502 DON'T DO THAT. P-PUT THAT DOWN. 735 00:40:03,502 --> 00:40:06,505 I ALWAYS SAID THE WORST MISTAKE I EVER MADE IN MY LIFE 736 00:40:06,505 --> 00:40:08,507 WAS HAVING YOU. 737 00:40:10,579 --> 00:40:12,441 (grunts) (grunts) 738 00:40:12,441 --> 00:40:14,943 (gasps) (bottle thuds and rolls) 739 00:40:19,548 --> 00:40:22,621 (both screaming and grunting) 740 00:40:25,754 --> 00:40:28,757 (choking) 741 00:40:30,829 --> 00:40:33,832 (panting) 742 00:40:45,514 --> 00:40:47,546 (keys jangle) 743 00:40:47,546 --> 00:40:50,679 HEY, EDDIE. PERFECT TIMING. (panting) MRS. SCAVO, WHAT ARE YOU DOING HERE? 744 00:40:50,679 --> 00:40:52,621 ARE YOU OKAY? 745 00:40:52,621 --> 00:40:54,553 OH, MY GOSH, YOU'RE TREMBLING AND-- 746 00:40:54,553 --> 00:40:58,026 OH, YEAH, I'M JUST-- I'M--I WAS ON MY WAY OUT. THEN I'LL MAKE THIS QUICK. 747 00:40:58,026 --> 00:41:01,590 TOM AND I HAVE BEEN TALKING, AND... 748 00:41:01,590 --> 00:41:04,793 WE WOULD LIKE IT IF YOU WOULD MOVE IN WITH US. 749 00:41:04,793 --> 00:41:05,964 (chuckles) 750 00:41:05,964 --> 00:41:07,966 I KNOW IT'S A BIG CHANGE, 751 00:41:07,966 --> 00:41:10,539 BUT YOU'VE GOTTA GET OUT OF HERE, EDDIE. 752 00:41:10,539 --> 00:41:12,801 THIS ISN'T A HEALTHY SITUATION. 753 00:41:14,573 --> 00:41:16,104 YEAH. 754 00:41:16,104 --> 00:41:18,146 I GUESS IT COULD BE BETTER. 755 00:41:22,681 --> 00:41:25,013 OH, MY GOD. 756 00:41:27,185 --> 00:41:28,757 IS SHE PASSED OUT? 757 00:41:28,757 --> 00:41:30,789 YEAH. 758 00:41:30,789 --> 00:41:32,791 THIS IS WHAT I'M TALKING ABOUT. 759 00:41:32,791 --> 00:41:35,794 THIS IS WHY YOU NEED TO GET OUT OF HERE. 760 00:41:35,794 --> 00:41:37,896 I MEAN, LOOK AT HER-- 761 00:41:37,896 --> 00:41:39,628 DEAD DRUNK. 762 00:41:39,628 --> 00:41:42,130 (whispers) OKAY. 763 00:41:42,130 --> 00:41:44,833 (normal voice) I'LL COME LIVE WITH YOU. 764 00:41:44,833 --> 00:41:48,637 GREAT. SO JUST PACK YOUR BAGS AND COME ON OVER. 765 00:41:48,637 --> 00:41:50,639 I HOPE YOU LIKE MEAT LOAF. 766 00:41:50,639 --> 00:41:52,140 (laughs and sniffles) 767 00:41:52,140 --> 00:41:54,643 YOU WANT ME TO COME IN AND HELP YOU, 768 00:41:54,643 --> 00:41:57,646 OR DO YOU WANT ME TO COME BACK LATER TO TALK TO HER? 769 00:41:57,646 --> 00:42:01,189 BELIEVE ME, MRS. SCAVO, SHE WOULDN'T HEAR A WORD. 770 00:42:01,189 --> 00:42:02,951 OKAY. 771 00:42:08,056 --> 00:42:11,199 (crow cawing) 772 00:42:11,199 --> 00:42:15,033 THERE IS A HOUSE IN THE TOWN OF FAIRVIEW. 773 00:42:15,033 --> 00:42:20,709 INSIDE THIS HOUSE LIVES A MONSTER... 774 00:42:20,709 --> 00:42:24,242 THE KIND WHO KILLS WOMEN. 775 00:42:24,242 --> 00:42:29,778 YOU MAY WONDER HOW A MONSTER LIKE THAT CAME TO BE. 776 00:42:29,778 --> 00:42:33,782 THE ANSWER IS SIMPLE-- 777 00:42:33,782 --> 00:42:37,125 MONSTERS ARE CREATED... 778 00:42:37,125 --> 00:42:40,158 BY OTHER MONSTERS.